The starting point was simple: the couple loved bows.
We began by drawing them again and again — longer tails, uneven loops, exaggerated proportions. But every version still felt too literal. Eventually, we removed the tails completely. What remained was a continuous form, somewhere between a bow and an infinity loop.
That was the moment the design became clear.

The abstracted bow became the ceremony installation. After developing the form with the couple, we chose a deep red palette that felt bold, playful and true to their personality. Hundreds of flowers were densely layered across the structure, turning a familiar symbol into something sculptural and entirely their own.






For dinner, we wanted the design to reflect another side of the couple — particularly the bride's background as a designer and their playful approach to colour.
The palette became lighter and more varied, moving between pink, green and red. Instead of traditional table arrangements, flowers were shaped into small geometric forms, each with its own colour and proportion.
Colour, shape and repetition became the language of the table.
The result was playful but precise — a dinner setting that felt less like conventional wedding florals and more like a collection of small design objects.






